Narrative and the Illustrated Book
 
 
roll to codex
Be sure to understand the transition from roll to codex
trajan
Column of Trajan, Rome
-continuous narrative in scroll-like format

heracles
Heracles poem from 3rd c.
papyrus scroll
author

Vergil, Vergilius Romanus, fol. 3v
-author portrait tradition
qued


Quedlinburg Itala, Saul and Samuel, fol. 2r, early 5th century, Rome?
cf. Vergilius Vaticanus, Georgics (below)
georgic

Vergilius Vaticanus, fol. 5v, Georgics, 1st quarter 5th c., Rome?
cf. Quedlinburg Itala
verg vatverg vat2

Vergilius Vaticanus, fol. 5v, Georgics, 1st quarter 5th c., Rome?

Vergilius Vaticanus, Death of Dido, fol. 40r

ambros

Ilias Ambrosiana (Milan Illiad), Alexandria, 2nd half 5th c., 4 7/8 x 8 5/8”
cf. Taking of Jericho (Joshua 6:1-25), Sta. Maria Maggiore, Rome)
dioscdiosc2
diosc3



Vienna Dioscurides, Anicia Juliana, fol. 6v
Vienna Dioscurides, Dioscurides, fol. 5v
Violet, fol. 148v; Coral fol. 391v

c. second quarter sixth century
vienna_gen


Vienna Genesis
Rebecca and Eliezer at the well, folio 7r, early sixth century, 1’ 1/4” X 9 1/4”.
cf. Column of Trajan
-think about the transmission from roll to codex and how it will affect the arrangement of images
rossanorossano2
rossano3





Rossano Gospels, sixth century, c 12 x 10 1/4"
Raising of Lazarus
Christ before Pilate
-possible source in larger scale painting
St. Mark
-tradition of author portraits carries over to Gospel authors as well
rabbularabbula2



Rabbula Gospels, 586 AD, made by monk named Rabbula for monastery in Zagba, Syria, c. 13 x 10.5"
Crucifixion and Ascension


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